EditorialFashion

🧵 Threaded Roots: Carnival to Couture

How Caribbean Carnival Fashion Is Reshaping Global Style

In the Caribbean, fashion has always been a form of celebration — a bold, rhythmic expression of identity and liberation. But in recent years, Carnival couture has stepped beyond the parade route. The craftsmanship, creativity, and cultural symbolism behind festival fashion is influencing everything from Beyoncé’s tour wardrobe to the styling of luxury ad campaigns.

Designers like Anya Ayoung-Chee (Trinidad & Tobago), Kristian Koker (St. Lucia), and Lauren Austin (Jamaica) are transforming the Carnival aesthetic into wearable art, merging traditional mas elements with haute couture construction. The result? A new fashion vocabulary where feathers, beads, mesh, and movement aren’t seasonal — they’re foundational.

🌍 Diaspora Style Watch: From Port of Spain to Paris

In Port of Spain, Lost Tribe and House of Azalea are blending mas artistry with ready-to-wear innovation. In New York, Caribbean-American creatives are incorporating Carnival silhouettes into music videos, clubwear, and stage shows. And in Paris, stylist Kenneth Ize recently referenced Trinidadian mas in a capsule collection showcased during Paris Fashion Week.

🧵 Threaded Back: The Legacy of Mas

Carnival fashion was born in rebellion — an act of freedom when enslaved Africans reinterpreted European masquerade to celebrate their survival. The elaborate costumes weren’t just adornment — they were defiance in motion.

This legacy continues in modern mas. Behind every jeweled corset is a story of colonial resistance, Black artistry, and a demand to be seen.

👁️ What’s Next: Mas Becomes Market

Major fashion houses are now borrowing Carnival’s visual language — but often without credit. Caribbean designers are pushing back, forming alliances and launching Carnival Fashion Weeks, creating their own e-commerce platforms, and protecting traditional designs through intellectual property advocacy.

As mas fashion goes global, Caribbean creatives are making it clear: this isn’t costume — it’s couture.


📍 “Threaded Roots” is your weekly stitch into the fabric of global Black fashion. From Kingston to Kinshasa, Brooklyn to Brixton—style lives here.
Follow us @VisionNewspaper for more stories that move the culture. #ThreadedRoots #VisionNewspaper

Alwin Marshall-Squire

Alwin Marshall-Squire is the Editor-in-Chief and Jamaican-Canadian Affairs Writer at Vision Newspaper - The Caribbean Update. With over two decades of experience, he is a dedicated advocate for amplifying Jamaican-Canadian voices. Alwin leads with vision, shaping the newspaper's editorial direction to reflect the diverse Jamaican Diaspora community. His insightful commentary and investigative reporting shed light on issues of identity and social justice, sparking crucial conversations and inspiring positive change. Alwin is not only a journalist but also a community leader, actively involved in initiatives promoting equity and representation. For feedback Alwin can be reached at al@visionnewspaper.ca

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